GALLERIES | CATE MCQUAID
The Boston Center for the Arts looks at utopia
By Cate McQuaid, Boston Globe Correspondent August 24, 2017
"REAL/IDEAL (Turning Utopia Into Reality)" at the Boston Center for the Arts
Mills Gallery is a reassuring show for tense times.
In recent years, Randi Hopkins, the center's director of visual arts, has
elevated the annual resident artists' exhibition above the level of an
obligatory members show, which can be scattershot. This year, curator David
Guerra invited 18 residents and 10 guests to contemplate utopia. These artists'
ideals range from personal to philosophical to societal, but they hang together
on hope.
I started with Sara Oliver's soothing sound piece, "Self-topia" - the thud of a
heartbeat, gurgles, crackles, and a low, airy moan I could not identify. Turns
out the sounds are intimately familiar - they’re all from within the human body.
Several artists share Oliver's tack. Searching for utopia? Start here and now.
Beverly Sky's fabric collage invokes René Magritte and St. Augustine in a plea
to pay attention. David Addison Small's gray-bearded bear of an angel chomps a
cigar in an untitled painting, sitting back with fruit, wine, and a loaf of
bread. His inward expression suggests a beneficent figure with strong
boundaries.
Other artists critically address justice, economics, the environment, shaking
out old ideas to make space for new ones. In "Suspending Disbelief," Gisela
Griffith considers religious fundamentalism's rigidity by breaking biblical
images up into a block puzzle. The finished puzzle would be pat, but the
unfinished one, full of uncertainty and contradiction, may better represent life
and faith.
REAL/IDEAL (Turning Utopia Into Reality)
At Mills Gallery,
Boston Center for the Arts, 551 Tremont St.,
through Sept. 17. 617-426-5000